Constantinople Through the Eyes of Mark Twain
Constantinople (present day Istanbul) as seen by Mark Twain.
Istanbul photo by Kari
The Golden Horn is a narrow arm of the sea, which branches from the Bosporus (a sort of broad river which connects the Marmora and Black Seas,) and, curving around, divides the city in the middle. Galata and Pera are on one side of the Bosporus, and the Golden Horn; Stamboul (ancient Byzantium) is upon the other.
On the other bank of the Bosporus is Scutari and other suburbs of Constantinople. This great city contains a million inhabitants, but so narrow are its streets, and so crowded together are its houses, that it does not cover much more than half as much ground as New York City.
Seen from the anchorage or from a mile or so up the Bosporus, it is by far the handsomest city we have seen. Its dense array of houses swells upward from the water's edge, and spreads over the domes of many hills; and the gardens that peep out here and there, the great globes of the mosques, and the countless minarets that meet the eye every where, invest the metropolis with the quaint Oriental aspect one dreams of when he reads books of eastern travel. Constantinople makes a noble picture.
But its attractiveness begins and ends with its picturesqueness.
Plan of Constantinople
Buy This Allposters.com
From the time one starts ashore till he gets back again, he execrates it. The boat he goes in is admirably miscalculated for the service it is built for. It is handsomely and neatly fitted up, but no man could handle it well in the turbulent currents that sweep down the Bosporus from the Black Sea, and few men could row it satisfactorily even in still water. It is a long, light canoe (caique,) large at one end and tapering to a knife blade at the other.
They make that long sharp end the bow, and you can imagine how these boiling currents spin it about. It has two oars, and sometimes four, and no rudder. You start to go to a given point and you run in fifty different directions before you get there.
First one oar is backing water, and then the other; it is seldom that both are going ahead at once. This kind of boating is calculated to drive an impatient man mad in a week. The boatmen are the awkwardest, the stupidest, and the most unscientific on earth, without question.
Ashore, it was--well, it was an eternal circus. People were thicker than bees, in those narrow streets, and the men were dressed in all the outrageous, outlandish, idolatrous, extravagant, thunder-and-lightning costumes that ever a tailor with the delirium tremens and seven devils could conceive of.
A Bazaar in Constantinople, 1873
Buy This Allposters.com
There was no freak in dress too crazy to be indulged in; no absurdity too absurd to be tolerated; no frenzy in ragged diabolism too fantastic to be attempted.
No two men were dressed alike. It was a wild masquerade of all imaginable costumes--every struggling throng in every street was a dissolving view of stunning contrasts. Some patriarchs wore awful turbans, but the grand mass of the infidel horde wore the fiery red skull-cap they call a fez. All the remainder of the raiment they indulged in was utterly indescribable.
The shops here are mere coops, mere boxes, bath-rooms, closets--any thing you please to call them--on the first floor. The Turks sit cross-legged in them, and work and trade and smoke long pipes, and smell like--like Turks.
That covers the ground.
Crowding the narrow streets in front of them are beggars, who beg forever, yet never collect any thing; and wonderful cripples, distorted out of all semblance of humanity, almost; vagabonds driving laden asses; porters carrying dry-goods boxes as large as cottages on their backs; peddlers of grapes, hot corn, pumpkin seeds, and a hundred other things, yelling like fiends; and sleeping happily, comfortably, serenely, among the hurrying feet, are the famed dogs of Constantinople; drifting noiselessly about are squads of Turkish women, draped from chin to feet in flowing robes, and with snowy veils bound about their heads, that disclose only the eyes and a vague, shadowy notion of their features.
Seen moving about, far away in the dim, arched aisles of the Great Bazaar, they look as the shrouded dead must have looked when they walked forth from their graves amid the storms and thunders and earthquakes that burst upon Calvary that awful night of the Crucifixion.
A street in Constantinople is a picture which one ought to see once--not oftener.